Free Essays on Theatre And Kabuki

Japan’s dances and dramas as they are seen today contain 1300 years of continuous uninterrupted history. This prodigious feat of conservation, theatrically speaking, makes Japan an extraordinary and unique country. In all of Asia, where tradition generally is sanctified and change eschewed, Japan stands as the only country whose theatre is its entirety has never suffered an eclipse nor undergone any drastic revivification or renovation. The most traditional form of Japanese theatre is kabuki. Its origin goes back to the latter part of the 16th century and, with extensive and continuous evolution, it has now been perfected into a state of classical refinement. Though not as flourishing as it once was, the kabuki theatre retains wide popularity among the people, and is in fact drawing quite large audiences even now. During the period generally referred to as the Edo Era, during which much of the development of kabuki took place, distinctions between the warrior class and the commoners was more rigidly observed than at any other time in Japan's history. Mainly the merchants cultivated the art of kabuki in those days. They had become increasingly powerful economically, but had to remain socially inferior as they belonged to the commoner class. To them kabuki was most significant as the artistic means by which to express their emotions under the prevailing conditions. Thus, the fundamental themes of kabuki plays are conflicts between humanity and the feudalistic system. It is largely due to this humanistic quality of the art that it gained such an enduring popularity among the general public of those days and remains this way today. A unique feature of the kabuki art, and possibly the most significant detail and in keeping with the kabuki spirit of unusualness, is the fact that it has no actresses whatsoever (Bowers 325). Male impersonators known as onnagata play all female parts. The players of the kabuki drama in its primitive stage ... Free Essays on Theatre And Kabuki Free Essays on Theatre And Kabuki Japan’s dances and dramas as they are seen today contain 1300 years of continuous uninterrupted history. This prodigious feat of conservation, theatrically speaking, makes Japan an extraordinary and unique country. In all of Asia, where tradition generally is sanctified and change eschewed, Japan stands as the only country whose theatre is its entirety has never suffered an eclipse nor undergone any drastic revivification or renovation. The most traditional form of Japanese theatre is kabuki. Its origin goes back to the latter part of the 16th century and, with extensive and continuous evolution, it has now been perfected into a state of classical refinement. Though not as flourishing as it once was, the kabuki theatre retains wide popularity among the people, and is in fact drawing quite large audiences even now. During the period generally referred to as the Edo Era, during which much of the development of kabuki took place, distinctions between the warrior class and the commoners was more rigidly observed than at any other time in Japan's history. Mainly the merchants cultivated the art of kabuki in those days. They had become increasingly powerful economically, but had to remain socially inferior as they belonged to the commoner class. To them kabuki was most significant as the artistic means by which to express their emotions under the prevailing conditions. Thus, the fundamental themes of kabuki plays are conflicts between humanity and the feudalistic system. It is largely due to this humanistic quality of the art that it gained such an enduring popularity among the general public of those days and remains this way today. A unique feature of the kabuki art, and possibly the most significant detail and in keeping with the kabuki spirit of unusualness, is the fact that it has no actresses whatsoever (Bowers 325). Male impersonators known as onnagata play all female parts. The players of the kabuki drama in its primitive stage ...

Geometric Isomers Definition and Examples

Geometric Isomers Definition and Examples Isomers are chemical species that have the same chemical formulas, yet are different from each other. For example, learn about geometric isomerization: Geometric Isomer Definition Geometric isomers are chemical species with the same type and quantity of atoms as another species, yet having a different geometric structure. Atoms or groups exhibit different spatial arrangements on either side of a chemical bond or ring structure. Geometric isomerism is also called configurational isomerism or cis-trans isomerism. Note cis-trans isomerism is a different description of geometry than E-Z isomerism. The terms cis and trans are from the Latin words cis, meaning on this side. and trans, meaning on the other side. When substituents are both oriented in the same direction as each other (on the same side), the diastereomer is called cis. When the substituents are on opposing sides, the orientation is trans. Cis and trans geometric isomers exhibit different properties, including boiling points, reactivities, melting points, densities, and solubilities. Trends in these differences are attributed to the effect of the overall dipole moment. The dipoles of trans substituents cancel each other out, which the dipoles of cis substituents are additive. In alkenes, trans isomers have higher melting points, lower solubility, and greater symmetry than cis isomers. Identifying Geometric Isomers Skeletal structures maybe be written with crossed lines for bonds to indicate geometric isomers. The IUPAC does not recommend the crossed line notation anymore, preferring wavy lines connecting a double bond to a heteroatom. When known, the ratio of cis- to trans- structures should be indicated. Cis- and trans- are given as prefixes to chemical structures. Examples of Geometric Isomers Two geometric isomers exist for Pt(NH3)2Cl2, one in which the species are arranged around the Pt in the order Cl, Cl, NH3, NH3, and another in which the species are ordered NH3, Cl, NH3, Cl.